The Fujinon 23mm f2 is a small mild weight lens with a climate sealed development and an extremely quick, however silent inner focusing system. The f2 aperture with 9 rounded aperture blades produces very clean bokeh when large open and the 10 component design with 2 aspherical parts corrects for many points with chromatic aberrations, distortion and vignetting whereas nonetheless sustaining a really pure and distinctive rendering.
It’s fitted to photographers who want a quick autofocusing compact lens that also able to producing excellent picture high quality.
- 1 Fujinon 23mm f2 Review | First Impressions
- 2 Fujifilm 23mm f2 Review | Technical Overview
- 3 Artwork & Character
- 4 Fujinon 23mm f2 Review | Backside Line
- 5 Fujinon 23mm f2 Sample Photos
Focal Size: 23mm equal to 34.5mm on APS-C cameras
Aperture Blade: Rounded 9-Blades
Aperture: f2 – f16 third cease clicks
Parts: 10 parts in 6 teams | 2 Aspherical
Coatings: Tremendous EBC Lens Coating
Minimal Focus Distance: – eight.66″ / 22 cm
Filter Threads: 43mm
Execs – Nice Colour, Nice Distinction, Good Micro Distinction, Quick AF, Climate Sealed, Nicely Corrected, Made In Japan, Small and lightweight
Cons – Solely f2, Vignetting at f2, Some coma and swirling bokeh alongside the sides, minor drop in sharpness within the corners
Fujinon 23mm f2 – Amazon / Adorama / BHphoto
B+W 43mm UV Filter XS-Professional MRC Nano zero10M – Amazon / Adorama / BHphoto
Final Information to Fujifilm Lenses
Fujinon 23mm f2 Review | First Impressions
ISO 80, f5.6, 1/110
That is one among my most up-to-date buy from Fujifilm and I’m not likely positive why I held off for therefore lengthy. I learn and watch critiques and just about everybody was favoring the 23mm f1.four over this lens based mostly on pure picture high quality. Typically I hear this lens is medical, extra boring rendering, or that the 23mm f1.four is the best way to go when you’ve got the money.
Whereas the 23mm f1.four is a superb lens, it doesn’t have what this lens has. Tremendous fast autofocus, climate sealing, silent focus, compact, small and lightweight. The 23mm f2 is a a lot better run and gun lens. I truly did a full comparability between the 23mm f1.four and 23mm f2, so remember to verify that out in case you’re on the fence as to which lens to purchase.
On this evaluation, I’ll go over a bit extra about what makes this lens nice and why it could be a greater choice than the 23mm f1.four for most individuals.
I’ve been capturing with this lens fairly a bit and I just about all the time packing it in my bag each time I’m going out to conditions the place I may have autofocus. It’s such an unimaginable lens. I might even go so far as saying it’s the perfect road images lens for Fujifilm cameras. It’s received good pop, nice autofocus, very nice colour and it actually holds up at f2.
ISO 200, f5.6, 1/550
You is perhaps considering f2 isn’t quick sufficient, however I’m beginning to have this epiphany the place I’m discovering slower lenses are higher for lots of issues.
The factor is, quick lenses are designed to have the most effective wanting bokeh at their quick or vast open apertures. The apertures are rounded to look greatest broad open, however in so many conditions f1.four is simply an excessive amount of. Typically you need f2 or f4, or f5.6. And in these conditions you’ll be able to actually get higher bokeh with a slower lens. For instance, the Fujinon 60mm f2.four seems means higher at f2.four, than the 56mm f1.2 lens does at f2.four. Anybody that has the 56mm f1.2 is aware of you’ll be able to’t go round capturing every thing at f1.2, it’s simply an excessive amount of. The 56mm f1.2, is for probably the most half a low mild or studio lens.
So for road images or capturing youngsters cracked out on sugar, you’re typically be capturing at smaller apertures like f2 or f4, simply so you will get higher focus and sharper pictures. The main target mechanism additionally has to maneuver much less glass on the smaller lenses which is why you simply get such nice efficiency with the 23mm f2 focusing system.
ISO 230, f2, 1/100
General, I’m very impressed with this lens, I prefer it rather a lot, it’s received softer corners and edges than the 23mm f1.four and a bit extra coma, however for run and gun road images or simply happening adventures with the youngsters, it’s among the best lenses for the job, if not one of the best lens.
In the event you’re questioning, it additionally outperforms the 23mm f2 on the X100F. However that’s not precisely apples to apples since that’s actually a special beast all collectively.
Construct High quality
Construct high quality is incredible. The lens is strong, climate sealed, small and lightweight. I don’t just like the lens hood lens cap state of affairs. In truth I hate it. I hate that it’s a must to mount the lens cap onto the lens hood. The 35mm f2 does this additionally and it’s such a horrible design because it’s all the time popping off. I spend half my time chasing my lens cap with this factor.
So now, I’m eradicating the lens hood as a result of the lens cap mounts higher to the lens. You don’t want a lens hood anyway as a result of the coatings are actually good and the lens hardly flares.
Fujifilm simply must make each lens cap and hood just like the 50mm f2 or 90mm f2 and cease making an attempt to get fancy with these bizarre foreskin lens hood designs, it’s ugly and it’s pointless.
However anyway, this lens is strong. The 23mm f1.four is much more fragile than this lens due to the design and you may mess it up fairly simply simply by dropping your bag with the lens inside. These f2 lenses by Fujifilm general look like their a bit extra rugged because the parts are smaller and lighter, excluding the 90mm in fact.
I can beat this lens up a bit and never have points. I’ve even dropped my 50mm f2 and 35mm f2 on concrete from waist-high and every little thing was okay. Accidentally in fact, and I don’t advocate doing that.
Principally what I’m making an attempt to say is, you gained’t have child this lens the identical as you’d the 23mm f1.four, the 56mm f1.2 or the 16mm f1.four, making it nice lens for climbing, tenting, biking or no matter adventures you may throw at it.
Fujifilm 23mm f2 Review | Technical Overview
When taking a look at all of the pixel peeping tech stats, the lens is sweet however not nice. Fujifilm might have probably made an ideal f2 lens, however it might have been quite a bit greater and used extra parts, and also you probably would have misplaced some off that pop. As an alternative they made a smaller, mild lens with a extra pure rendering however lower than good corners and edges. The 23mm f1.four will certainly outperform this lens with a number of the technical traits so will probably be a greater panorama and studio lens.
Middle sharpness is fairly good and it actually shines at f4-f8. It’s a hair softer at f2 and f2.eight, however that’s to be anticipated.
Fujinon 23mm f2 Middle Sharpness
Nook sharpness is very nice at f4 to f8 however at f2 and f2.eight issues get a bit softer and also you’ll see a few of these ghosty traits that lots of quick lenses have of their corners.
Fujinon 23mm f2 Nook Sharpness
The Fujinon 23mm f2 does have some vignetting. The digital camera does right for lots of this and bake it into the RAW information, nevertheless it doesn’t take away the whole lot.
This pattern at f2, I stripped the vignetting correction out of the RAW file with Iridient Developer. The digital camera will right for lots of this nevertheless it’s principally passed by f4.
The vignetting here’s a little lighter on the underside as a result of I shot the sky and it had a pure gradient.
Fujinon 23mm f2 Vignetting
The 23mm f2 does have very delicate barrel distortion however it’s fairly properly managed and it’ll doubtless not have an effect on your pictures.
ISO 200, f2, 1/3200
The 23mm f2 could be very nicely corrected for chromatic aberrations. You’ll nonetheless see them beneath a stress check like capturing branches into the solar at f2.
You can even see some inexperienced fringing happening with this photograph under. I consider that might be referred to as Longitudinal Chromatic Aberrations. LCA. This implies areas past the main target level can be inexperienced, areas in entrance of the main target often shift purple. The tree above can be Lateral Chromatic Aberrations, on account of excessive distinction edges.
Usually CA hasn’t been drawback with this lens, and just about ever lens I’ve ever used has some type of challenge with CA. Even my glasses that I put on on my face produce LCA.
ISO 250, f3.2, 1/60
ISO 160, f2, 1/1900
Flaring could be very nicely managed, however like with any lens, if the solar is within the good fallacious spot, it is going to produce some disagreeable streaks. This will probably be known as veil flaring. It’s a bit disagreeable with this lens.
Solar stars look good for probably the most half, very outlined form and you may shoot into the solar with out it blowing out your colour and distinction.
ISO 320, f14, 1/300
ISO 320, f16, 1/200
ISo 160, f8, 1/160
ISO 160, f8, 1/140
Artwork & Character
ISO 200, f2, 1/4700
The Fujinon 23mm f2 has some very good pure colour and distinction. You’ll see individuals say this lens is medical as a result of it doesn’t produce wild bokeh or loopy lens flares, whereas that is true, the lens nonetheless has some very nice character and I undoubtedly wouldn’t name it medical.
You possibly can typically get extra pop (additionally referred to as micro distinction) with a low factor lens just like the 7Artisans 25mm f1.eight or the Meike 35mm f1.7, however you don’t get as corrected of a lens as one thing like this. Sadly, most individuals solely care about sharpness anymore, so massive corporations like Fujifilm are pressured to pump out pretty corrected lenses or the pixel peeping reviewers would destroy them. Fujifilm might in all probability make a much bigger f2 lens with a decrease component rely and higher pop, however I don’t assume it might be as interesting.
The Fujinon 23mm f2 is about nearly as good as you’ll get from an enormous firm when it comes to colour, distinction and micro distinction for a lens this small. Consider it or not, Sony has a couple of good ones too, just like the Sony Zeiss 35mm f2.eight and the 50mm f1.eight. Truly the Sony Zeiss 35mm f2.eight has just a little extra pop than this lens, nevertheless it has some fairly nasty shade ring patterns.
The 23mm f2 can also be a hair higher than the 23mm f1.four with shade and micro distinction, only a hair.
You get barely extra particulars within the colour and tonal gradations. That is totally different than distinction and sharpness so it’s very exhausting to measure and other people assume it’s kind of pseudoscience Jedi nonsense. It’s not, its actual and it’s essential, particularly for individuals like me with an eye fixed situation and may by no means see something completely sharp anyway. I might take a lens with a number of pop over a sharper lens until I’m capturing panorama images.
If you need much more micro distinction, there are a number of Chinese language manufacturers making lenses that may simply punch you within the face. 7Artisans has a couple of, Handevision has a couple of and Meike are all good choices. Take a look at my publish right here from the Meike 35mm f1.7. You possibly can see how the pictures simply bounce out at you. The 7Artisans 25mm f1.eight lens is a micro distinction god, although the construct is horrendous and the corners and edges are horrible. As soon as upon a time there was a Jaray 25mm f1.eight, similar lens with a barely totally different construct, however I can’t discover it anymore. I feel the Zonlai Hengyijia 35mm F1.eight can also be the identical.
Anyway, on to the Artwork and Character of the 23mm f2 lens! Beginning with Bokeh.
ISO 200, f2, 1/3200
I’m not too wildly impressed by the bokeh of this lens however it’s not horrible. There’s some cats eyes alongside the sides so it causes a minor swirl sample to the bokeh.
Though the lens is just f2, the minimal focus lets you get very near your topic. So in case you’re capturing small object near the lens, you’ll be able to truly out bokeh the 23mm f1.four, since you will get a lot shut, and shallow depth of area can also be based mostly off distance not simply aperture measurement.
Listed here are a ton of bokeh samples, most of them are straight out of digital camera apart from the 2 maple leaf photographs. So long as you don’t have any sharp highlights within the background it seems to be fairly clean.
ISO 200, f2, 1/80
ISO 200, f2, 1/100
ISO 200, f2, 1/280
ISO 200, f2, 1/1500
ISO 200, f2, 1/80
ISO 200, f2, 1/2400
ISO 200, f2,, 1/5400
ISO 200, f2, 1/1700
ISO 200, f2, 1/1400
ISo 200, f2, 1/2500
ISO 200, f2.5, 1/2000
ISO 200, f2, 1/4400
Colour Rendering & Distinction
ISO 800, f5.6, 1/80
Colours look very nice proper out of the digital camera. They’ll be extra punchy for those who shoot JPG since Fujifilm retains their raws a bit extra flat.
These are some straight out of digital camera samples shot RAW and thrown into Lightroom. In order that they’re Adobe Digital camera RAW.
I’ve scaled all these to 3000px for presentation. You’ll be able to see full res samples on my smugmug. When it comes to colour and distinction they’re fairly dang good. You don’t actually need so as to add an excessive amount of distinction or saturation.
These are a mixture of pictures taken with the X-Pro2 and the X-T3.
ISO 23mm f5.6, 1/90
ISO 200, f5.6, 1/420
ISO 200, f4, 1/240
ISO 200,, f2, 1/2000
ISO 200, f8, 1/300
ISO 200, f8, 1/80
ISO 200, f5.6, 1/250
ISO 200, f5.6, 1/100
ISO 160, f2, 1/6000
ISO 160, f2, 1/320
ISO 320, f2, 1/1700
ISO 200, f5.6, 1/680
I all the time like to point out black and white to see a lenses micro distinction since you’ll be able to actually see the tonal particulars. With a great micro distinction lens, black and white images may have a lot punch and crispness to it, even when it’s barely out of focus. However you do truly get higher shade gradation as properly.
In reality, some digital camera sensors truly produce these particulars higher than others. That’s in all probability why individuals usually love Fujifilm and Canon picture output. I’ve observed their newest sensors do produce barely higher colour gradations and internal tonal particulars in comparison with a number of the different manufacturers.
When evaluating the Fujinon f2 lenses to their quicker brothers, additionally, you will see barely higher micro distinction and shade, probably as a result of they’re utilizing thinner parts and never as many, which type of offers much less resistance for the sunshine.
When you want a black and white lens and also you need nice element and tonal depth, these f2 lenses are implausible.
Like talked about above, you will get higher micro distinction with some low cost Chinese language lenses, nevertheless, they gained’t be as corrected as this lens they usually gained’t have autofocus.
ISO 200, f6.four, 1/220
ISO 160, f5.6, 1/105
ISO 160, f5.6, 1/105
ISO 160, f2, 1/600
ISO 160, f4.5, 1/105
ISO 160, f5.6, 1/240
ISO 80, f5.6, 1/100
Fujinon 23mm f2 Review | Backside Line
The Fujinon 23mm f2 isn’t an ideal lens, and I in all probability wouldn’t advocate it for the hardcore snobby skilled, however, it has a lot going for it that I really like. 23mm is actually my favourite focal size on an APS-C digital camera. It provides you nearly 35mm which I feel is ideal for informal and road images and even video. It’s in all probability probably the most versatile focal size, much more so than a full body 50mm for my part.
Due to the dimensions, the load, the quick and silent autofocus and the good tonal particulars you get from the great micro-contrast, that is Fujifilm’s greatest road images lens interval. It’s small and low profile so you’ll be able to throw it on an X-E3 and have a very compact light-weight system just like the X100F, however optically higher.
Or, should you simply picked up a Fujifilm X-T3 and need to unleash the complete potential of the autofocus system, the 23mm f2 won’t skip a beat. Put the X-T3 in face monitoring and you may snipe road photographs all day lengthy with out lacking a shot.
Once I’m going out, I virtually all the time take this lens over my 23mm f1.four, until I do know I’m going shoot some kind of specialty portraits or one thing very distinctive the place I would wish f1.four. However in the event you’re a marriage images, portrait photographer or studio images, you’ll in all probability need that f1.four over this lens. For everybody else, that is the best way to go. Or, for those who already personal the 23mm f1.four and need a further journey / journey lens, this can be a nice choice.
The one different prime lenses proper now which have autofocus in addition to this one, can be the 23mm f1.four, or the Zeiss 32mm f1.eight Touit. Each value virtually twice as a lot, and this lens might be lots higher for the informal shooter due to the quick autofocus capabilities and climate sealing.
ISO 160, f2, 1/1900
Different Lens Choices
For people who need much more wild character and pop and need to experiment with guide focus, the $80-$100 Chinese language lenses are the best way to go. Think about them disposable as they often have dangerous construct high quality and it’ll value you extra to ship it in for guarantee restore than the lens is value. However, they’re a ton of enjoyable when you’ve got an additional $100 burning a gap in your pocket. I’ve reviewed and really helpful a bunch of them already and individuals are loving them for enjoyable informal images.
Or, if you would like only a actually good guide focus 23mm lens for an awesome worth, take a look at the Rokinon 21mm f1.four. I’ll be reviewing that lens quickly. For probably the most half, Rokinon / Samyang APS-C lenses are one of the best guide focus lenses for Fujifilm. Optically they’re typically virtually simply nearly as good as Fujinon lenses, however typically higher. They only have a bit wilder copy-to-copy variations it’s a must to be careful for, so all the time check them after unboxing to ensure nothing is mistaken or uncommon.
Fujinon 23mm f2 Sample Photos
ISO 160, f3.2, 1/105
ISO 160, f2, 1/2200
ISO 320, f2, 1/1500
ISO 200, f8, 1/60
ISO 200, f2, 1/450
ISO 1250, f2, 1/80
ISO 160, f2, 1/850
ISO 160, f5.6, 1/1800
ISO 8000, f5.6, 1/2500
ISO 200, f5.6, 1/180
ISO 200, f5.6, 1/1800
ISO 200, f2, 1/2400
ISO 200, f5.6, 1/80
ISO 200, f5.6, 1/680
ISO 200, f5.6, 1/340
ISO 200, f4.5, 1/680